One of the most imposing realities of art is the frame. It serves as the unconscious limit of our attention. It defines the rendering of artistic vision and implies all else incidental. Yet, what is presented within the frame, originated from without the frame. And what intrigues us about art is how it directs our… Read more »
The heart of Robert Kobayashi’s new exhibit is three pointillist paintings from the 1980’s: Prince Street, Door to Balcony and Cat and the Fiddle. The pointillist technique makes the figures and images shimmer with life. The meticulous touch of the tip of the brush directs the eye from the particular to the whole. Through this,… Read more »
